I promise this won’t turn into one of my essay length rambles posing as opinion posts but how could I not respond to La Wintour’s divisive choice of cover star, or rather stars, for the April issue of American Vogue? Responses have ranged from delight to outrage to sheer, unbridled, bloodcurdling fury. For me, yesterday was something of an emotional roller coaster. First up we had the unveiling of the aforementioned cover. Then came Starbucks’ announcement that they’re going to start serving booze. On both counts, I made a snap judgement which was then revised several times. The whole experience was pretty confusing. In the case of the latter I initially thought YES! I love Starbucks, I love vino, why didn’t this happen sooner? Then I realised how deeply disgusting the very idea was. Given the myriad of disgusting frappucino flavours already on offer, God only knows what more horrors can be concocted involving alcohol. Peppermint Schnappucino with whipped cream on top anyone? Just urgh.

But enough about Starbucks, let’s talk Vogue. When I saw the Kimye cover my first thought was WTF!? Is nothing sacred anymore? Then I actually engaged my brain which swiftly reminded me that, much as I adore them, fashion glossies are a far cry from purified spaces of boundary pushing fashion commentary. That’s not in any way to criticise. Between advertisers, consumer demographics and the added pressures of reader stealing digital media, it’s the nature of the beast. Many publications respond to these challenges intelligently and entertainingly but no matter how brilliant the writing or beautiful the imagery, fash mags do have their limitations and, of course, the necessity to turn a profit. From a profit turning perspective, Vogue’s Kimye cover is indeed brilliant. Love them or loathe them, you’re gonna buy the issue and thoroughly enjoy the experience of gushing over Kim’s golden skinned gorgeousness or picking every inch of the thing apart. Either way, a sale got made an a couple of hours of one person’s life that bit more enjoyable.

As I said, most of my Friday afternoon was spent feeling very torn about the whole thing. A seriously productive use of time, I’m sure you’ll agree. On the one hand it’s easy and tempting to see the Kimye cover as the epitome of everything wrong with American celebrity culture or, as Bryan Boy put it, #AWondrugs… Awkward moment on the FROW next season impending? But anyway, I digress. Headlines have ranged from lampooning Anna for giving in to Kanye’s demands to sarcastically mourning the death of Amerian Vogue, to basically hailing the forthcoming apocalypse as a result of a “lazy amateur porn star turned fame whore of all fame whores” gracing a cover that should have been reserved for, I dunno, Olivia Palermo. I take issue with this view on several levels. Not least, lazy? This is a girl who has hustled, networked, self branded and shamelessly self promoted her way from, yes, sex tape scandal to fashion’s inner circle via reality TV and one hell of a wardrobe makeover. I’m not saying there isn’t something slightly depressing about that but you can’t deny that Kim Kardashian has worked her infamous derriere off to achieve the impossible. I’m not a particular Kim fan myself, no matter how many sleek Celine ensembles she trots out, but you’ve got to give credit where credit’s due and it definitely is here.

Many of the responses have centred around the idea that American Vogue are desperately trying to get issues off the shelves. Of course, this pop-culture-and-social-media-tastic cover will do that but paradoxically, perhaps putting Kimye centre stage in fact one of the boldest, most boundary pushing moves we’ve seen from American Vogue in decades? Most covers elicit a mildly disinterested “doesn’t so and so look pretty wearing such and such” but this one’s basically made the Internet explode. And once upon a time wasn’t the point of magazines like Vogue to start a conversation, take risks, occasionally maybe even provoke? And there’s no denying, the pictures are utterly gorgeous. Ultimately it’s a clever move from all parties involved and maybe, rather than marking the demise of American Vogue, this cover marks the start of a new and more interesting era.

My main complaint with American Vogue’s April issue is not the cover stars who, however you feel about them, have started more of a conversation than (much as I absolutely heart her) yet another celebration of J-Law. Nope, it’s the hashtag that gets me, #worldsmosttalkedaboutcouple may be a worryingly accurate description but 27 characters… Seriously? However, social media misunderstanding aside, there was only decision unveiled yesterday that I found categorically offensive and the culprit was Starbucks.

That’s about enough from me, what do YOU think?

Love Ella. X