Fashion

Introducing: Golden Lane Bags

Golden Lane Bags

I’m not ashamed to admit that I feel genuinely passionate about handbags. I don’t know how something that is essentially a means of carrying your essentials (but so isn’t) can be quite so intoxicating but even looking at a 3.1 Phillip Lim Pashli leaves me weak at the knees. Given the level of my handbag obsession, it should come as no surprise that finding out about new purveyors of leather lovelies gets me extremely excited. Especially when the designs in question look like Golden Lane bags.

Golden Lane Bags

When a label’s first collection gets snapped up by Luisa Via Roma, Shopbop and Barneys, you expect it to be pretty covetable. When their designs look like a cross between Jerome Dreyfuss and Alexander Wang, a new sartorial love affair is born. Actually I’m not sure that analogy even does them justice. The haute holdalls offered up by Brit brand, Golden Lane have a fresh, modern femininity which is entirely their own. Directional yet gratifyingly practical (two qualities that don’t always go hand in hand), these are the kind of bags that will illicit gasps of jealousy from your friends and enable you to lug around the various bits and bobs none of us strictly need to carry but do anyway. I’m exceedingly partial to a bright bag so Golden Lane’s turquoise and lemon yellow lovelies are my faves. For those not so keen on colour pop accessories, metallic and understated neutral styles complete with subtle gold detailing should be right up your street. Best of all, with prices ranging from £350 to £450 Golden Lane bags aren’t stupidly expensive… Get in there quick, I predict a stampede.

Shop the collection here.

Love Ella. X

Posted on by Ella Catliff in Fashion 3 Comments

Louis Vuitton AW13

I’ve said it before and I’ll say it again, Marc Jacobs is a complete and utter genius. Just when we thought underwear as outerwear would be forever condemned WAGS wardrobes and 90′s tribute bands, he goes and gives it a fash-over. Remember when Kate Moss strutted her bondage clad stuff on the Louis Vuitton catwalk for AW12? Her appearance illicited widespread gasps of “ohmigod how is she FORTY?” and, combined with Jacobs’ seductively stylish designs, instantly made S&M chic again (or possibly for the first time?). Well, this season Miss Moss has joined Monsieur Marc in reviving the naughty negligee. You know me, my sartorial choices tend towards the demure/preppy/terminally unsexy but after watching this show (12 times) on Style.com I’ve suddenly found myself craving La Perla.

Louis Vuitton

The other week I was lucky enough to get up close and personal with the collection at the Louis Vuitton AW13 press day and can confirm that it’s even more mouthwateringly delectable in person. After spending the best part of an hour ogling the collection I came to the conclusion that seeing and stroking such super soft pelts and luxer-than-luxe silks could captivate even the biggest fashion-fobes out there. Frankly, anyone who isn’t rendered weak at the knees by a hand stitched Ostrich feather handbag has something very wrong with them. And let’s not forget those negligees… In softest brushed velvet trimmed with cobweb fine lace and adorned with embroidered clusters of feathers, should I ever be lucky enough to own one I’d be sooner display it on a plinth in my sitting room than wear it to sleep in.

Louis Vuitton

Louis Vuitton

Louis Vuitton

Louis Vuitton

Louis Vuitton

Whether or not fashion can or should be considered “art” is such a huge point of contention that I wont even go there but whatever your view on it, the sheer level of skill that goes in to creating garments such as these is undeniably awe inspiring. Sequin embellished tweeds came trimmed in glossy pelts, each fibre meticulously crafted by specialised seamstresses in the Louis Vuitton atelier. I’ve always felt that it’s the combination of the house’s heritage and Marc Jacob’s inherently modern style that makes Louis Vuitton collections so compelling. This fusion of time tested techniques and innovative design was epitomised by one coat in particular which married mannish tartan tailoring with opulent feather trim, strange in theory yet oh-so-brilliant on the Louis Vuitton catwalk. Indeed, the juxtposition of fabulously feminine, boudoir ready ensembles with androgynous outerwear was central to this collection and made for the kind of irreverent elegance that fashion fantasies are fuelled by.

Louis Vuitton

Louis Vuitton

Louis Vuitton

For those of you who haven’t seen the AW13 show yet, I urge you to stop whatever you’re doing and watch it immediately! Just to make it extra easy, here you go…

Love Ella. X

Posted on by Ella Catliff in Fashion 1 Comment

Mulberry AW13

I remember writing my post about the Mulberry SS13 collection after attending their press day back in October and musing on how strange it was to be thinking about summery pastels and chiffon delights in such bitterly chilly weather. Well, I’m mildly depressed to say that it feels entirely appropriate to be thinking about super chunky knits and thick tweed overcoats in London right now. For any overseas readers not currently suffering seasonally inappropriate semi-tundra weather conditions a) can I come and stay with you please? and b) it’s absolutely bloody freezing here in the UK. Given that the pre fall collections start arriving in stores in May, I’m tempted to give up on summer altogether. But enough of my miserable whinging and back to the matter at hand, Mulberry.

Mulberry

Our feet may have barely recovered from fashion month but this week, press day season began. Not that I’m complaining of course, spending my days looking at lovely clothes and catching up with my favourite fashion folk is hardly a chore, although all that mincing does leave precious little time to actually get any work done. Yesterday’s press day line up was a pretty fantastic one and despite feeling ever-so-slightly fragile after an evening of over indulgence at the Fred Butler Easter Bonnet Parade (followed by ill advised cocktails at Soho House, oops) I found myself so swept up in the Mulberry magic that my headache very nearly subsided.

Mulberry

You may or may not remember my post about Mulberry’s SS13 collection. To summarise, I fell head-over-heels in love with absolutely all of it and was convinced that not even Emma Hill repeat the performance next season. Once again I was proved wrong, and I didn’t mind one bit. As anyone who read my London Fashion Week diaries will recall, I absolutely adored the Mulberry show but in the flesh those clothes were even more delectable. Think luscious leathers in rich shades of emerald, navy and chestnut so buttersoft you couldn’t help but stroke them. Green tweeds applied to immaculately cut overcoats and cute bombers with laser moulded leather cuff detailing. Preppy chic platform loafers in delicate ostrich… And then there were the bags, oh the bags. My beloved Willow tote has been given an AW13 update in hunter green and cobalt blue hues and super luxe crocodile and calfhair skins.

Mulberry

Mulberry

Mulberry

Mulberry

The latest addition to Mulberry’s handbag clan in the Suffolk which, between you and me, is vaguely similar to the Alexa but better. Falling somewhere between a satchel and a doctors bag, the Suffolk is both exquisite and practical. There’s a handy shoulder strap for when you’re lugging lots of stuff and it’s structured enough to avoid the dreaded “bag sag”. Another fave was the Bayswater shoulder style complete with super sweet ladybug hardware.

Mulberry

Mulberry

As per always, I left with a wish list the length of the Nile… Friends and family if you’re reading, it’s the Willow I’m after.

Love Ella. X

Posted on by Ella Catliff in Fashion 2 Comments

Introducing: Cobra Society

Cobra Society

As on so many occasions, I may or may literally be “introducing” you to the brand in question. Cobra Society is now in its fourth season but it is only recently that I really learnt anything much about them and I thought their’s was a sartorial story worth sharing. Before deciding to write this post or even looking at the label’s website I’d heard the name and seen the designs in countless fash mags and on the feet of various style setters. At first glace Cobra Society appears to be all about brights, eclectic patterns and putting a city chic twist on ethnic influences. Of course, it is all these things, but also many more besides. The rich hues, jazzy colour combinations and an air of haute bohemia inherent in the brand’s style isn’t just “inspired by” global wanderings and traditional artistry, it’s quite literally the product of it. During her travels designer Alex Davis became so enamoured with North and Central African culture that she decided rather than try to replicate the local artisans’ aesthetic, she wanted to support and nurture it… Not to mention, bring the real deal back West so that the rest of us could appreciate it.

Cobra society

Since launching Cobra Society in the autumn of 2011, Alex has employed locals from villages in North Africa and the Middle Atlas Mountains to create the hand dyed and woven Kilim rugs used for each and every accessory she produces. From a strictly style-oriented perspective, this results in a hand-crafted yet luxurious feel and each pair of boots or smoking slippers being ever-so-slightly different from the others. On a larger, or at least rather more worthy scale, Alex’s policy of using (and paying for) the time tested skills of these villagers help support communities living a very different life to the fashion forward females wearing their work in London or Los Angeles. And if the ethical aspect and craftsmanship behind Cobra Society doesn’t convince you that each design is deserving of its distinctly designer price tag just remember that Jessica Alba, Jennifer Lawrence and HRH Beyonce are fans… Yep, totes worth it.

Love Ella. X

Posted on by Ella Catliff in Fashion 1 Comment

Goodbye Glossies?

british vogue glossies

Last Monday the British Fashion Trust invited me to hear Alexandra Shulman in conversation with Tom Chapman. The Editor of British Vogue talking designers, shopping and style with the Co Founder of Matches? I certainly didn’t need to be asked twice! Given the calibre of the speakers I imagined some sort of lecture theatre scenario with hundreds of eager bloggers and journos in attendance so didn’t stress about pitching up solo after my plus one dropped out last minute. However, when I arrived at Claridges I was ushered not into a vast banquet hall but escorted up to an intimate space on the 6th floor. “Intimate” would indeed be the best word to describe the situation I found myself in. Think British Fashion Cheief Executive Caroline Rush, Kim Hersov, and a handful of other editors and major industry names sipping champagne, looking unbelievably chic and chatting amongst themselves. I very nearly turned around and fled but by the time I’d gauged the situation and kicked myself for going alone it was too late to escape without looking like a total moron. So I steeled myself, grabbed a glass and stayed… Boy, am I glad I did.

As Alexandra Shulman reminded us, “house rules” applied so I probably shouldn’t repeat the whole thing word for word. However I reckon I can probably get away with saying that the conversation revolved largely around the increasingly editorial bent of e-tailers and the effect this has, or doesn’t have, on glossies. The past 12 months have certainly seen a huge surge in the amount of editorial content produced by stores, both online and on Bond Street. At the same time increasing numbers of editors have left fash mags to take on roles in retail. Harpers Bazaar lost Lucy Yeomans and Carmen Bornogovo to Net-a-Porter and My-Wardrobe respectively, while Vogue waved goodbye to Fashion Coordinator, Tilly Macalister Smith who recently joined Tom’s team at Matches. So does the fact that virtually every fashion emporium on the planet now produces their own online and/or print magazine spell doom for the glossies? Has the likes of Bornogovo and Macalister Smith moving over to retail created an atmosphere akin to “the Wild West”, as Shulman joked that rainy evening at Claridges? Are the lines between editorial and retail eventually going to end up so blurred that it’s impossible to decipher one from the other? The resounding message I got from Alexandra Shulman and Tom Chapman’s discussion was no, there is still a place for both and many people still want their monthly dose of fashion delivered to their doorstep, not their iPad.

The iPad issue raised another very interesting point, namely how far should fashion magazines be about selling products? Grazia, for instance, recently released their app which allows you to “click to buy” pretty much every garment featured, an idea that’s both ingenious and lethal for your bank balance. So if magazines can be used for shopping, and online stores are packed with articles, editorials and trend reports where does one end and the other begin and do we really need both? For all her innovations, Shulman is a traditionalist in this respect. She feels ”very passionately that a magazine isn’t just something to sell product through” and argued that “you have to be careful as a journalist… that you don’t start catering your content to what people are interested in.” According to her, Vogue and it’s ilk should still predominantly be about inspiring, mesmerizing and telling people what’s chic, not just showing them stuff you think they’ll buy. This is a trap that, on a much MUCH smaller scale, I constantly try not to fall into. In between “weekly wish lists”, affiliate marketing and “ohmigod look at these shoes!” type posts, as a blogger it’s easy to inadvertantly find yourself flogging clothes which isn’t really what the whole thing’s about.

Another point that cropped up was cost, always a contentious subject. If the likes of Matches, Net-a-Porter and My-Wardrobe are offering magazine content free of charge won’t people just do their reading online instead of paying £4.10 for Vogue? According to Shulman, that’s not the case for the simple reason that the online user is “not the same” as the print one. Personally I’m not sure that’s entirely true but I certainly don’t think that having the option of finding out about the latest trends on Net-a-Porter will result in widespread magazine subscription cancelletions (tongue twister alert!). In order to survive retailers need people to buy their products so, unlike traditional magazines, their editorial content is about engaging the customer but ultimately the point is to encourage them to make a purchase. That’s not to say e-tailers aren’t offering up top quality stuff, God knows if the likes of Lucy Yeomans are in charge it will undoubtedly be fabulous. But from where I’m sitting it seems that one approaches the Matches website in a different way to, say, the latest issue of Harpers Bazaar. If you’re shopping, be it on My Wardrobe or ASOS the editorial content serves the purpose of helping you decide what to buy, which of the featured brands to support and seasonal trends to buy into. A monthly glossy isn’t so much about finding a new pair of jeans or getting the latest fashion news, it’s about enjoyment, inspiration and experience. Digital devotee though I am, personally I’d always rather curl up with a cup of tea and a magazine than my iPad.

I know I haven’t really come to much of a conclusion, to be honest I don’t have the knowledge to do so. But I think, and certainly hope, that the next few years will see fantastic editorial driven e-tailers and our favourite glossy magazines continue to co-exist. What do you reckon?

Love Ella. X

Posted on by Ella Catliff in Fashion 2 Comments