After dumping our many, many layers and trying to make ourselves look slightly less windswept we made our way into the exhibition space where Laure had created a vast, cylindrical installation. The inner walls were covered with kalaidescopic collages and monitors displaying mesmerizing moving images. Once we’d passed through the installation (no mean feat given the number of guests ogling the artwork) we emerged the other side to be confronted by a vast screen displaying the second part of Prouvoust’s installation, a film featuring fragments of footage ranging from birds and fish devouring fruit to women bathing in idyllic waterfalls. Prouvoust cited the “aesthetic and sensual pleasures of Italy” as her inspiration and these influences came through both subtly and clearly in the exhibition.
The two part installation felt both seductive and innocent and the experience of entering it was immersive without being overwhelming. A air of dreamlike exoticism came by way of brightly coloured tropical fruit, background birdsong and the way in which we were directed from one slightly surreal, often out-of-focus shot to another. On one level, Laure Provoust Swallow was an inspired and imaginative feat of contemporary art, on another it was a welcome if all-too-brief escape from the bitter London weather.
The exhibition runs until April 7th, admission is free and I’d definitely recommend going to see it!
Love Ella. X