3 Ways to Wear it: McQ Leather Skirt

I haven’t done a “3 Ways to Wear it” post in absolute YEARS! I think two to be precise. Actually back then it was “5 Ways to Wear it” and I was so completely and utterly clueless about blogging, the internet and technology in general that the initial leather skirt snaps were all different sizes, varying shades of over exposed and largely out of focus. When I initially decided to ditch my plan of studying History at Leeds University (aside from anything else I wouldn’t have survived those cold climbs) I thought that I wanted to be a stylist. Then I discovered my love of blogging, attended fashion week a couple of times, realised that the would-be-stylist success rate was significantly less than that of an actor and forgot all about it. Well, over the past few months my passion for dressing others has been reignited in a pretty major way thanks to a couple of personal shopping projects and a styling gig for French Connection. Seeing as the chances of my getting to style a Vogue editorial for some time (slash ever) are slim, I concluded that I should just do it on here in the most fabulous manner possible! So, without further ado, I give you the first in what I hope will be a long and stylish series of “3 Ways to Wear it”.

McQ leather skirt

McQ Black Double Zip Skirt, £565, click here to buy

Ok, so don’t get me wrong, this zip detailed McQ leather mini is brilliant. However no matter how obscenely cool a garment it may be, I found it an absolute b*tch to style. This is no doubt down to my penchant for pastels and prep rather than the skirt itself but I’m still pretty pleased with the results…

Casual

McQ Leather skirt La Petite Anglaise

As you’ve no doubt realised by now, I’m not overly adept at “casual”. I find cocktail dressing an absolute doddle and my failsafe daytime formula is chiffon blouse + A Line mini, embellishment an optional extra. A leather skirt is not by nature a low key piece in the way that skinny jeans or a nice, big comfy jumper are. Out of all three looks I found this one the most troublesome and pretty much emptied the entire contents of my (HUGE) wardrobe trying to find a top to wear with it. In the end I settled on a simple striped tee by BDG at Urban Outfitters, opaque tights, flat black ankle boots from Massimo Dutti and a very old beanie. It was absolutely freezing when we took these pictures so I apologise for any strange faces I’m pulling.

Preppy

McQ Leather skirt Ella Catliff

Ahhh, preppy… My sartorial bread and butter. Unsurprisingly, this look took approximately 2 seconds to style and despite the fact that leather and zips don’t exactly scream Blair Waldorf, I think it works rather well. These Oliver Sweeney Monk Shoes are a new footwear favourite of mine and toughen up my Whistles boucle jacket brilliantly. I really adore this look because while it’s got the desired prep-factor (knee high socks, boucle jacket, crisp white shirt) there’s still a hint of androgyny.

After Dark

McQ Leather skirt La Petite Anglaise

I lied when I said look number 1 was the trickiest, creating an “after dark” ensemble proved just as problematic. Despite trying on approximately 100 blouses (exaggeration… just) I couldn’t find a damn thing in my wardrobe that didn’t look ridiculous with this badass biker beauty. Then I decided to see what it looked like with this scarlet Boutique by Jaeger number and added white Kurt Geiger accessories. Both I and my very patient photographer Jayne were dubious at first but when we saw the photos we decided the leather/red/white combo was kind of awesome. What do you reckon?

Love Ella. x

Ps) Do you like “3 Ways to Wear it”? If I’m boring you all by bringing it back please do tell me!

Posted on by Ella Catliff in Look Du Jour 6 Comments

Dining with Diesel & Grazia

To anyone unfortunate enough to have been following me on Twitter, Facebook or Instagram last Thursday, I apologise for the endless stream of food snaps and commentary. I know full well how annoying Foodstagram and tweets like “omg best dinner ever AND I’m sitting next to the Editor of such-and-such” can be. But, much like selfies, emoticons and excessive abbreviations, sharing ones over excitement with the unsuspecting (and often uninterested) world is a pitfall of social media… Plus, on this occasion I really was having a #totesamaze evening. Continuing on from the other week’s wild Studio Africa launch party, Diesel decided to further celebrate their collaboration with ethical fashion brand EDUN by teaming up with Grazia Magazine to host an intimite dinner.

Diesel x Grazia Magazine

Diesel x Grazia Magazine

Diesel x Grazia Magazine

The dinner was held in the brand’s pop up store, “Diesel Village”, a fantastic African inspired set up on the top floor of their Regents Street flagship. The label have held a few get togethers in the space over the past few weeks but on this occasion it looked cooler than I’ve ever seen it. One area had been transformed into a private Ghanaian Restaurant called The Chop Bar with a beautifully laid table laden with mouthwatering appetizers awaiting our arrival. Having absolutely frozen while waiting for my car outside the Atelier-to-Go event at The Sanderson (tough life lol) fellow blogger, I’d never been more in need of a stiff drink. Luckily cocktail gurus, Soul Shakers had installed their own wooden hut bar in another part of the store so I didn’t need to wait long for my wish to be granted. I’d been promised an “intimate” dinner, which often means 30 + guests but on this occasion they certainly weren’t exaggerating. Besides me and the Diesel team there were barely ten others, including Grazia Editors Lily Russo and Hannah Almassi. After half an hour or so’s mingling we were ushered to our seats and the evening’s chef, Zoe came appeared to tell us about her cooking and pass around traditional Ghanaian wine, drunk communally from a hollowed out coconut.

Diesel x Grazia Magazine

Diesel x Grazia Magazine

Diesel x Grazia Magazine

Diesel x Grazia Magazine

Diesel x Grazia Magazine

As a die hard sushi and steak fan, I was slightly dubious about how I’d take to a menu that included black eyen bean terrine, stewed lamb and various spicy sauces. Finding that my preconceptions are completely wrong isn’t exactly a rare occurence and it turned out that Ghanaian cuisine is just about the yummiest thing ever. Two rib ticklingly, belly warmingly delectable courses and God-knows-how-many cocktails later it was time for a spot of pre-pudding entertainment courtesy of musician, Jessica Fitoussi. It’s a true testament to the sultry songstress’ talent that her melodious tones made us stop our, ok my, incessant chatter but she managed it.

Diesel x Grazia Magazine

All too soon Jessica’s performance drew to a close but our disappointment was soon alleviated by the arrival of incredible peanut brittle served with vanilla ice cream and rich Kenyan coffee. Despite my proclamation some 15 minutes earlier that I “couldn’t physically eat another thing”, the dish was so scrumptious I was tempted to ask for seconds. Our final treat was a shot of mystery liquor which caused many an eye to water and several of us to make the perhaps foolish decision to continue the party in Soho. All in all, it was a fantastic night and a big, BIG thank you to Diesel and Grazia for including me.

Love Ella. X

Posted on by Ella Catliff in Parties 2 Comments

Goodbye Glossies?

british vogue glossies

Last Monday the British Fashion Trust invited me to hear Alexandra Shulman in conversation with Tom Chapman. The Editor of British Vogue talking designers, shopping and style with the Co Founder of Matches? I certainly didn’t need to be asked twice! Given the calibre of the speakers I imagined some sort of lecture theatre scenario with hundreds of eager bloggers and journos in attendance so didn’t stress about pitching up solo after my plus one dropped out last minute. However, when I arrived at Claridges I was ushered not into a vast banquet hall but escorted up to an intimate space on the 6th floor. “Intimate” would indeed be the best word to describe the situation I found myself in. Think British Fashion Cheief Executive Caroline Rush, Kim Hersov, and a handful of other editors and major industry names sipping champagne, looking unbelievably chic and chatting amongst themselves. I very nearly turned around and fled but by the time I’d gauged the situation and kicked myself for going alone it was too late to escape without looking like a total moron. So I steeled myself, grabbed a glass and stayed… Boy, am I glad I did.

As Alexandra Shulman reminded us, “house rules” applied so I probably shouldn’t repeat the whole thing word for word. However I reckon I can probably get away with saying that the conversation revolved largely around the increasingly editorial bent of e-tailers and the effect this has, or doesn’t have, on glossies. The past 12 months have certainly seen a huge surge in the amount of editorial content produced by stores, both online and on Bond Street. At the same time increasing numbers of editors have left fash mags to take on roles in retail. Harpers Bazaar lost Lucy Yeomans and Carmen Bornogovo to Net-a-Porter and My-Wardrobe respectively, while Vogue waved goodbye to Fashion Coordinator, Tilly Macalister Smith who recently joined Tom’s team at Matches. So does the fact that virtually every fashion emporium on the planet now produces their own online and/or print magazine spell doom for the glossies? Has the likes of Bornogovo and Macalister Smith moving over to retail created an atmosphere akin to “the Wild West”, as Shulman joked that rainy evening at Claridges? Are the lines between editorial and retail eventually going to end up so blurred that it’s impossible to decipher one from the other? The resounding message I got from Alexandra Shulman and Tom Chapman’s discussion was no, there is still a place for both and many people still want their monthly dose of fashion delivered to their doorstep, not their iPad.

The iPad issue raised another very interesting point, namely how far should fashion magazines be about selling products? Grazia, for instance, recently released their app which allows you to “click to buy” pretty much every garment featured, an idea that’s both ingenious and lethal for your bank balance. So if magazines can be used for shopping, and online stores are packed with articles, editorials and trend reports where does one end and the other begin and do we really need both? For all her innovations, Shulman is a traditionalist in this respect. She feels ”very passionately that a magazine isn’t just something to sell product through” and argued that “you have to be careful as a journalist… that you don’t start catering your content to what people are interested in.” According to her, Vogue and it’s ilk should still predominantly be about inspiring, mesmerizing and telling people what’s chic, not just showing them stuff you think they’ll buy. This is a trap that, on a much MUCH smaller scale, I constantly try not to fall into. In between “weekly wish lists”, affiliate marketing and “ohmigod look at these shoes!” type posts, as a blogger it’s easy to inadvertantly find yourself flogging clothes which isn’t really what the whole thing’s about.

Another point that cropped up was cost, always a contentious subject. If the likes of Matches, Net-a-Porter and My-Wardrobe are offering magazine content free of charge won’t people just do their reading online instead of paying £4.10 for Vogue? According to Shulman, that’s not the case for the simple reason that the online user is “not the same” as the print one. Personally I’m not sure that’s entirely true but I certainly don’t think that having the option of finding out about the latest trends on Net-a-Porter will result in widespread magazine subscription cancelletions (tongue twister alert!). In order to survive retailers need people to buy their products so, unlike traditional magazines, their editorial content is about engaging the customer but ultimately the point is to encourage them to make a purchase. That’s not to say e-tailers aren’t offering up top quality stuff, God knows if the likes of Lucy Yeomans are in charge it will undoubtedly be fabulous. But from where I’m sitting it seems that one approaches the Matches website in a different way to, say, the latest issue of Harpers Bazaar. If you’re shopping, be it on My Wardrobe or ASOS the editorial content serves the purpose of helping you decide what to buy, which of the featured brands to support and seasonal trends to buy into. A monthly glossy isn’t so much about finding a new pair of jeans or getting the latest fashion news, it’s about enjoyment, inspiration and experience. Digital devotee though I am, personally I’d always rather curl up with a cup of tea and a magazine than my iPad.

I know I haven’t really come to much of a conclusion, to be honest I don’t have the knowledge to do so. But I think, and certainly hope, that the next few years will see fantastic editorial driven e-tailers and our favourite glossy magazines continue to co-exist. What do you reckon?

Love Ella. X

Posted on by Ella Catliff in Fashion 2 Comments

Look Du Jour: New Navajo

navajo

navajo

navajo

What: Navajo Shirtdress: Diesel (c/o), Bag: Angel Jackson at Rtister (c/o), Belt: H&M, Necklace: Anne Bowes Jewellery, Ankle Boots: Massimo Dutti.

Where: Diesel x Grazia Magazine dinner, London.

Last week I was lucky enough to be invited to a FAB-U-LOUS evening of Ghanian cuisine, lethally strong cocktails and live music hosted by Diesel and Grazia Magazine. Being the lovely lot they are, the Diesel team offered to let me pick a little something to wear from their Pre Fall 2013 collection and my eye was immediately drawn to this khaki number. Generally speaking, I’m not a fan of anything remotely navajo  and but the smart shirt collar and slightly military vibe give it a city twist that is right up my street. This dress would be utterly brilliant with bare legs, chunky sandals and a tan but given the truly vile weather that simply wasn’t an option. I’m not adverse to risking life and limb in the name of fashion (you’ve seen some of my shoes) but purple knees and goosepimples? No thank you! In the end I went for brown ankle boots with a matching brown belt, one of my favourite Anne Bowes Jewellery charm necklaces and a bright Angel Jackson bag to give the whole thing a bit of colour. More details from the evening itself coming soon!

Love Ella. X

Posted on by Ella Catliff in Look Du Jour Leave a comment

Laure Provoust Private View

Picking up where we left off last Tuesday evening, after a brief glass of bubbly and bite to eat at the Salt Resortwear x Saloni soiree, my party pal Charlie May and I braved the unseasonable chill to make for event number two, the Max Mara Art Prize for Women Private View at The Whitechapel Gallery. With a will of steel (and a wallet of small change only) I resisted the temptation to leap in the nearest cab, a decision both of us regretted when we somehow managed not only to get off a tube stop too early but then walk for ten minutes in precisely the wrong direction. Once again, my sense of direction had failed me (despite having made the exact same journey just five days before) so I deferred to the far superior navigating skills of Google Maps and we made it. I’m not an art expert by any stretch of the imagination but I do adore visiting exhibitions, with fine free wine and fabulous company thrown into the mix it’s one of my favourite pastimes. As East London’s mekka of cultural cool, any event at The Whitechapel Gallery attracts a stellar crowd. With this year’s Max Mara prize winner, Laure Prouvoust being one of the most critically acclaimed contemporary artists around, last Tuesday place was packed fit to burst with the city’s artistic elite.

Laure Provoust

Laure Provoust

Laure Provoust

Me wearing Whistles & Anne Bowes Jewellery

After dumping our many, many layers and trying to make ourselves look slightly less windswept we made our way into the exhibition space where Laure had created a vast, cylindrical installation. The inner walls were covered with kalaidescopic collages and monitors displaying mesmerizing moving images. Once we’d passed through the installation (no mean feat given the number of guests ogling the artwork) we emerged the other side to be confronted by a vast screen displaying the second part of Prouvoust’s installation, a film featuring fragments of footage ranging from birds and fish devouring fruit to women bathing in idyllic waterfalls. Prouvoust cited the “aesthetic and sensual pleasures of Italy” as her inspiration and these influences came through both subtly and clearly in the exhibition.

Laure Provoust Max Mara Art Prize for Women

Laure Provoust

Laure Provoust

Laure Provoust

The two part installation felt both seductive and innocent and the experience of entering it was immersive without being overwhelming. A air of dreamlike exoticism came by way of brightly coloured tropical fruit, background birdsong and the way in which we were directed from one slightly surreal, often out-of-focus shot to another. On one level, Laure Provoust Swallow was an inspired and imaginative feat of contemporary art, on another it was a welcome if all-too-brief escape from the bitter London weather.

The exhibition runs until April 7th, admission is free and I’d definitely recommend going to see it!

Love Ella. X

Posted on by Ella Catliff in Parties 3 Comments